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Inauguration of Mahatta - Participatory installation by Mouhawalat Collective
Mouhawalat Collective (Diyae Bourhim & Ahmad Karmouni), will welcome to Mahatta a selection of art students recently graduated from the INBA, to invest and activate the hybrid space of their installation through a series of in situ interventions that vary from day to day for the duration of the Festival. A wider circle, an invitation to explore the imaginaries and narratives that shape our collective understanding of the art world. This proposal questions the practical realities and struggles inherent in the creative process, exploring the expectations and realities of young artists in transition between the academy and the professional world.
All dates
Inauguration of Mahatta - Participatory installation by Mouhawalat Collective
Mouhawalat Collective (Diyae Bourhim & Ahmad Karmouni), will welcome to Mahatta a selection of art students recently graduated from the INBA, to invest and activate the hybrid space of their installation through a series of in situ interventions that vary from day to day for the duration of the Festival. A wider circle, an invitation to explore the imaginaries and narratives that shape our collective understanding of the art world. This proposal questions the practical realities and struggles inherent in the creative process, exploring the expectations and realities of young artists in transition between the academy and the professional world.
As'tta, Bahija Sajid (Invited by Mouhawalat Collective) - Mahatta
Bahija Sajid uses a monologue that blends plastic poetry and lyrical prose to reclaim her gesture of transmission. The performance combines hand-weaving and singing, exploring the transmission of stories and craft skills.
Sffara, Ayman El Gadi (Invited by Mouhawalat Collective)
With this performance, Ayman El Gadi invites us to share, to eat apricots together, and reminds us of the act of playing. The performance invites the audience to become involved in the creation of a whistled harmony, a unison. The audience will take away the core; a fragment of the performance.
Mahatta is a participatory installation that acts as a station for sharing and exchange. This station grows and shifts; its components multiply with each encounter. Like a plant that spreads throughout its environment, the installation is an archive in progress, recalling and listening to collective voices and shared opinions, questions, concerns, reflections, doubts, feelings, stories of attempts, perspectives, solidarity and common ground.
For the Art Explora festival, Mouhawalat Collective (Diyae Bourhim & Ahmad Karmouni), will welcome a selection of recently graduated INBA art students to Mahatta, to invest and activate Mahatta's hybrid space through a series of in situ interventions that vary from day to day for the duration of the Festival.
A wider circle, an invitation to explore the imaginaries and narratives that shape our collective understanding of the art world. This proposal interrogates the practical realities and struggles inherent in the creative process, exploring the expectations and realities of young artists in transition between the academy and the professional world. Each graduate contributes to transforming Mahatta (the station) on a daily basis, making this space an ever-changing landscape. Mahatta thus becomes a station where each passenger leaves his or her mark, enriching the space with their individual and collective stories. Every day, the installation reinvents itself, capturing the diverse voices of the participants.
Rachael Woodson, Palais de Tokyo
Ariane Jaffrain, Palais de Tokyo
Mouhawalat (pl.tentative) is an artistic collective co-founded in 2020 by four young artists who graduated from the Beaux-arts in Tétouan (Morocco), and now has two members: Diyae Bourhim and Ahmad Karmouni. Through discursive, editorial and artistic projects, the collective seeks alternative paths for learning and circulation processes to encourage transmission. Its projects act to connect mutual care and life experiences between art workers, through the organization of workshops, collective and collaborative exhibitions, discussions and artist interviews.
Diyae Bourhim
Diyae Bourhim is a visual artist whose practice encompasses photography, installation and embroidery. She lives and works between Morocco and France. Her work focuses on different translations of the archive, family, intimacy, hospitality and gestures of invitation. Her projects often aim to reflect the histories and geographies of her region, depicting tales of arrivals and departures. Drawing on a collection of memoirs, Diyae learns to deploy the method of archival research to highlight the importance of oral histories and vernacular practices in understanding what it means to archive.
Ahmad Karmouni
Ahmad Karmouni is a visual artist born in Assilah in 1994. He lives and works between France and Morocco. His work manifests the desire to create an analogy between raw matter and the field of the sensitive and immaterial, in order to discover new plastic possibilities linked to ephemeral emotion. The artist sees himself as part of a scientific process, exploring the improbability of matter and its various reactions and transformations over time. His field of experimentation spans several media, including installation, drawing and printing techniques.
Practical information
Address
Tanger Print Club, Former Atelier Kissaria, Tangier, Morocco
Accessibility
Dates and times
From September 21st to 29th, from 10:00 to 13:00
Safety
Visit itinerary
EXPERIENCES On board
Immersive exhibition "Présentes
Created in exceptional collaboration with the Musée du Louvre, this exhibition offers a reflection on the role and representation of female figures in the Mediterranean world, through an educational and sensory experience based on digital audiovisual technologies. The exhibition is divided into two parts:
- An educational documentary on the aft deck
- An immersive exhibition at the heart of the catamaran
A sound journey in the Mediterranean by Ircam
Through a Sound Odyssey, Ircam and Ircam Amplify invite visitors to explore the sensations of the Mediterranean and discover new soundscapes, both imaginary and real.
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© Elisa Von Brockdorff
The artists
Frequently asked questions
Yes, the boat is freely accessible on site. However, you can pre-book your time online on our website.
For reasons of safety and preservation of the boat, high heels and stilettos may not be worn on the boat.
The museum boat is open to all free of charge. To find out on which quay it will be moored, or to pre-book your slot, consult the page dedicated to your town.
Appropriate facilities have been set up on the Festival site for the reception and access of people with reduced mobility. The boat is equipped with a 1m-wide ramp, accessible to people with reduced mobility, but may require the accompaniment of a third party due to its gradient of over 6%. Access to the aft deck and immersive exhibition is possible. However, the upper deck is not accessible. Please inform us in advance of any special accessibility requirements, so that we can make the necessary arrangements.