As'tta, Bahija Sajid (Invited by Mouhawalat Collective) - Mahatta

Out of doors
Performance
All audiences

Bahija Sajid uses a monologue that blends plastic poetry and lyrical prose to reclaim her gesture of transmission. The performance combines hand-weaving and singing, exploring the transmission of stories and craft skills.

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All dates

For the first activation of "Mahatta", Bahija Sajid presents As'tta, an artistic performance.

In As'tta, the artist attempts to question the act of linguistic and ritual transmission through the practice of weaving handed down by her mother. The performance culminates in a focus on the present, where the artist lays out her journey as a weaver and her multiple attempts to perpetuate this heritage. Shadows fade, hands intertwine, voices decompose, weaving and unweaving her story through thework songs recited by Amazigh weavers from the Tinghir region. An ode to transmission, to collective gestures that tell the story through a language of traces, extracted from the skills inherited from several generations.

Leaving herself alone on stage, Bahija Sajid claims through a monologue that mixes plastic poetry and lyrical prose. Her position as an artist and her duty to pass on the tradition through her work. The performance combines hand-weaving and singing to explore the intergenerational transmission of craft skills and heritage. 

‍Mahatta is a participatory installation that acts as a station for sharing and exchange. This station grows and shifts; its components multiply with each encounter. Similar to a plant that spreads throughout its environment, the installation is an archive in progress that recalls and listens to collective voices and shared opinions, questions, concerns, reflections, doubts, feelings, stories of attempts, perspectives, solidarity and common ground.

For the Art Explora Festival, Mouhawalat Collective (Diyae Bourhim & Ahmad Karmouni), will welcome to their Mahatta installation a selection of art students recently graduated from the INBA, to invest and activate the hybrid space of Mahatta through a series of in situ interventions that vary from day to day for the duration of the Festival. A wider circle, an invitation to explore the imaginaries and narratives that shape our collective understanding of the art world. This proposal interrogates the practical realities and struggles inherent in the creative process, exploring the expectations and realities of young artists in transition between the academy and the professional world.

Each graduate contributes to transforming Mahatta (the station) on a daily basis, making this space a landscape in constant evolution. Mahatta thus becomes a station where each passenger leaves his or her mark, enriching the space with individual and collective stories. Every day, the installation reinvents itself, capturing the diverse voices of the participants.

Bahija Sajid - Courtesy of the artist

Ayman Kouera

Bahija Sajid

Bahija Sajid (b. 2000) from the village of Albouihat near Essaouira. Graduate of the Institut National des Beaux-Arts de Tétouan (2024). Her practice draws on the weaving craft meticulously handed down by her mother. Through installation, sound and video, she reveals the poetic possibilities and multiple forms of writing offered by this ancestral practice. By taking part in workshops specializing in sound art and weaving techniques, Bahija develops an approach in which weaving becomes a medium for critical reflection, questioning our relationship to heritage, identity, the transmission of know-how and the social ties she navigates in its contemporary uses.

Practical information

Address

Tanger Print Club, Former Atelier Kissaria, Tangier, Morocco

Accessibility

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Dates and times

Sunday, September 22, 11:30 to 13:00

Safety

Visit itinerary

EXPERIENCES On board

Immersive exhibition "Présentes

Created in exceptional collaboration with the Musée du Louvre, this exhibition offers a reflection on the role and representation of female figures in the Mediterranean world, through an educational and sensory experience based on digital audiovisual technologies. The exhibition is divided into two parts:

  • An educational documentary on the aft deck
  • An immersive exhibition at the heart of the catamaran
Discover the exhibition

A sound journey in the Mediterranean by Ircam

Through a Sound Odyssey, Ircam and Ircam Amplify invite visitors to explore the sensations of the Mediterranean and discover new soundscapes, both imaginary and real.

Discover sound travel

© Elisa Von Brockdorff

The artists

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Frequently asked questions

Is access to the boat free?

Yes, the boat is freely accessible on site. However, you can pre-book your time online on our website.

Is there a specific dress code for visiting the museum boat?

For reasons of safety and preservation of the boat, high heels and stilettos may not be worn on the boat.

How do I get on board the museum boat?

The museum boat is open to all free of charge. To find out on which quay it will be moored, or to pre-book your slot, consult the page dedicated to your town.

Is the museum boat accessible to people with reduced mobility?

Appropriate facilities have been set up on the Festival site for the reception and access of people with reduced mobility. The boat is equipped with a 1m-wide ramp, accessible to people with reduced mobility, but may require the accompaniment of a third party due to its gradient of over 6%. Access to the aft deck and immersive exhibition is possible. However, the upper deck is not accessible. Please inform us in advance of any special accessibility requirements, so that we can make the necessary arrangements.