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"On the Slimiest Origins": Talk between artists Leonor Serrano and Diego Delas with Dr. Pascual Anaya and curator Bernardo de Souza.
This conversation between art curator Bernardo de Souza and scientist Juan Pascual Anaya explores the links between art and science, with hagfish genome research at its core. The conversation focuses on how the two fields, despite having different perspectives, share an impulse to imagine, study and speculate on the mysteries of life and nature.
All dates
"On the Slimiest Origins
This conversation between art curator Bernardo de Souza and scientist Juan Pascual Anaya explores the links between art and science, with hagfish genome research at its core. The conversation focuses on how the two fields, despite having different perspectives, share an impulse to imagine, study and speculate on the mysteries of life and nature.
This dialogue doesn't seek definitive answers, but plays with the idea that art and science both operate in that space where the imaginary and the real intermingle, constantly pushing back the boundaries of what we think we know.
Juan Pascual Anaya
A researcher in the Department of Animal Biology at the University of Malaga, Juan Pascual Anaya holds a PhD in genetics from the University of Barcelona. Specializing in genome evolution and embryonic development, he has conducted major studies at the RIKEN center in Japan. He led the sequencing of the first myxinid genome, an essential discovery for understanding the earliest origins of vertebrates. Pascual Anaya has made a significant contribution to evolutionary genetics, and his studies continue to influence developmental biology.
UMA
Practical information
Address
Auditorium Eduardo Ocón, Paseo de España, Málaga
Accessibility
Dates and times
Saturday, November 2, 18:00 to 18:30
Safety
Visit itinerary
EXPERIENCES On board
Immersive exhibition "Présentes
Created with the exceptional collaboration of the Musée du Louvre, this exhibition highlights female figures in Mediterranean civilization, thanks to the digitization and modeling of part of the Louvre's collections. A two-stage experience: an introductory film to provide context, followed by an immersive experience in a 16-meter-long tunnel covered by 120 m2 of LED screens.
A sound journey through the Mediterranean
An immersive sound experience designed by Ircam, inviting the public to explore the richness and diversity of the Mediterranean through headphones equipped with spatialized sound.
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© Elisa Von Brockdorff
The artists
Frequently asked questions
Yes, the boat is freely accessible on site. However, you can pre-book your time online on our website.
For reasons of safety and preservation of the boat, high heels and stilettos may not be worn on the boat.
The museum boat is open to all free of charge. To find out on which quay it will be moored, or to pre-book your slot, consult the page dedicated to your town.
Appropriate facilities have been set up on the Festival site for the reception and access of people with reduced mobility. The boat is equipped with a 1m-wide ramp, accessible to people with reduced mobility, but may require the accompaniment of a third party due to its gradient of over 6%. Access to the aft deck and immersive exhibition is possible. However, the upper deck is not accessible. Please inform us in advance of any special accessibility requirements, so that we can make the necessary arrangements.