This immersive black and white video work is a reflection of my experiential self in close connection with the sea. I live just by the sea, literally by the water’s edge, and therefore I experience its moods, its sounds, and its voices every day of my life. I chose to live in remoteness where no man-made sounds are heard and therefore it's just the sea and me. I see ‘Intertide' as a work that transcends the boundaries between the tangible and the intangible, as it captures the profound connection between myself and the sea. The visuals and sounds serve as a poignant reflection of the experiential self, woven intricately into the fabric of the ever-changing seascape that envelops my daily existence. Through the lens and audio recording devices, I become both an observer and participant in the silent dialogue with the sea, capturing not only the visual beauty but also the unheard orchestrated sonic textures within.
The filming and sound of ‘Intertide’ capture detail to emphasise and highlight the intricate patterns, shapes, and movements of the seabed. The absence of colour becomes a deliberate choice, emphasising the elemental purity of the untouched environment, while shadows and light create a random interplay within the visual field. In sharing my experiences, I am inviting viewers to immerse themselves in the sensory richness of my daily life. I invite them to take time and experience the subtle dance of the sea’s reflections and shadows, to engage with the often overlooked details of the sea.
George Scintilla
Lisa Attard
It Isn't Easy, But It Is, directed by Mariana Hahn
“I went to the Pearl River Delta in China to look for the remains of women that found autonomy by creating a sisterhood called Zishunu (meaning self combed women) starting in the 18th Century. I could not find them and thus went to trace their steps from when they fled the rise of the Chinese Republic. I wanted to find their stories inside the water they went upon on their way out. I found a 95-year-old fisherman who taught me how to make a fishnet, so that I could go and fish for the stories of the sisters. That man was the last one of his clan that knew the craft—and he also took me into the sea to fish to find the stories.”
Practical information
Address
Xatt Pinto, Valletta Waterfront, Valletta, Malta
Accessibility
Dates and times
Safety
Visit itinerary
EXPERIENCES On board
Immersive exhibition "Présentes
Created in exceptional collaboration with the Musée du Louvre, this exhibition offers a reflection on the role and representation of female figures in the Mediterranean world, through an educational and sensory experience based on digital audiovisual technologies. The exhibition is divided into two parts:
An educational documentary on the aft deck
An immersive exhibition at the heart of the catamaran
Through a Sound Odyssey, Ircam and Ircam Amplify invite visitors to explore the sensations of the Mediterranean and discover new soundscapes, both imaginary and real.
Yes, the boat is freely accessible on site. However, you can pre-book your time online on our website.
Is there a specific dress code for visiting the museum boat?
For reasons of safety and preservation of the boat, high heels and stilettos may not be worn on the boat.
How do I get on board the museum boat?
The museum boat is open to all free of charge. To find out on which quay it will be moored, or to pre-book your slot, consult the page dedicated to your town.
Is the museum boat accessible to people with reduced mobility?
Appropriate facilities have been set up on the Festival site for the reception and access of people with reduced mobility. The boat is equipped with a 1m-wide ramp, accessible to people with reduced mobility, but may require the accompaniment of a third party due to its gradient of over 6%. Access to the aft deck and immersive exhibition is possible. However, the upper deck is not accessible. Please inform us in advance of any special accessibility requirements, so that we can make the necessary arrangements.