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Potential voids. Hijos del Relax. Antonio R. Montesinos
"Hijos del Relax" is a workshop analyzing how tourism has transformed the Costa del Sol, affecting its territory, economy and identity.
All dates
Workshop "Potential Voids. Hijos del Relax" by Antonio R. Montesinos
"Hijos del Relax" is a workshop analyzing how tourism has transformed the Costa del Sol, affecting its territory, economy and identity. Based on "Relax Style", inspired by a trip along the N-340 in 1986, the project examines the colonization of the coastline by global capitalism during the last phase of Franco's dictatorship.
Workshop "Potential Voids. Hijos del Relax" by Antonio R. Montesinos
"Hijos del Relax" is a workshop analyzing how tourism has transformed the Costa del Sol, affecting its territory, economy and identity. Based on "Relax Style", inspired by a trip along the N-340 in 1986, the project examines the colonization of the coastline by global capitalism during the last phase of Franco's dictatorship.
Workshop "Potential Voids. Hijos del Relax" by Antonio R. Montesinos
"Hijos del Relax" is a workshop analyzing how tourism has transformed the Costa del Sol, affecting its territory, economy and identity. Based on "Relax Style", inspired by a trip along the N-340 in 1986, the project examines the colonization of the coastline by global capitalism during the last phase of Franco's dictatorship.
Based on "Relax Style", inspired by a trip along the N-340 in 1986, the project examines the colonization of the coastline by global capitalism during the last phase of Franco's dictatorship. It proposes to reflect on the few undeveloped spaces, using collaborative methodologies and speculative design to imagine sustainable and inclusive futures, far from nostalgic approaches. The workshop will focus on identifying trends and using future design techniques to explore possible scenarios and generate creative outcomes.
©Antonio Montesinos
Antonio Ruiz Montesinos
A multidisciplinary artist trained in fine and digital arts, Antonio Ruiz Montesinos has exhibited his work in international institutions such as La Casa Encendida, MACBA and CAAC. His work encompasses installation, performance and digital art, and focuses on the interaction between technology and culture. He has participated in collaborative projects such as Proyecto Rampa and La Ciudad Demudada, exploring urban and social issues from a critical perspective. His work is represented by the Isabel Hurley gallery in Malaga and has been exhibited in international contexts.
Practical information
Address
La Térmica, Paseo de los Guindos, 42, Málaga
Accessibility
Dates and times
Friday November 1st, from 11:00 to 13:30 Saturday, November 2nd, from 11:00 to 13:30 Sunday November 3rd, from 11:00 to 13:30
Safety
Visit itinerary
EXPERIENCES On board
Immersive exhibition "Présentes
Created in exceptional collaboration with the Musée du Louvre, this exhibition offers a reflection on the role and representation of female figures in the Mediterranean world, through an educational and sensory experience based on digital audiovisual technologies. The exhibition is divided into two parts:
- An educational documentary on the aft deck
- An immersive exhibition at the heart of the catamaran
A sound journey in the Mediterranean by Ircam
Through a Sound Odyssey, Ircam and Ircam Amplify invite visitors to explore the sensations of the Mediterranean and discover new soundscapes, both imaginary and real.
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© Elisa Von Brockdorff
The artists
Frequently asked questions
Yes, the boat is freely accessible on site. However, you can pre-book your time online on our website.
For reasons of safety and preservation of the boat, high heels and stilettos may not be worn on the boat.
The museum boat is open to all free of charge. To find out on which quay it will be moored, or to pre-book your slot, consult the page dedicated to your town.
Appropriate facilities have been set up on the Festival site for the reception and access of people with reduced mobility. The boat is equipped with a 1m-wide ramp, accessible to people with reduced mobility, but may require the accompaniment of a third party due to its gradient of over 6%. Access to the aft deck and immersive exhibition is possible. However, the upper deck is not accessible. Please inform us in advance of any special accessibility requirements, so that we can make the necessary arrangements.