Choreography: Sharon Eyal Co-creator: Gai Behar Original music: Koreless Costumes: Maria Grazia Chiuri - Christian Dior Couture Lighting design: Alon Cohen Nail and jewelry design: @prettybitchclawss Dancers: Darren Devaney, Guido Dutilh, Juan Gil, Alice Godfrey, Johnny McMillan, Keren Lurie Pardes, Nitzan Ressler, Frida Dam Siedel Production Manager: Maya Manor Business Manager: Roy Bedarshi Agent: Menno Plukker Technicians: Oren Elimelech, Yair Salman, Hillel Sharp
INTO THE HAIRY is Sharon Eyal's latest creation for L-E-V Dance Company in collaboration with London-based artist, producer and composer Koreless. This is Sharon Eyal's first full collaboration with Koreless, who created the piece's original soundtrack.
Credits: Choreography: Sharon Eyal Co-creator: Gai Behar Original music: Koreless Costumes: Maria Grazia Chiuri - Christian Dior Couture Lighting design: Alon Cohen Nail and jewelry design: @prettybitchclawss Dancers: Darren Devaney, Guido Dutilh, Juan Gil, Alice Godfrey, Johnny McMillan, Keren Lurie Pardes, Nitzan Ressler, Frida Dam Siedel Production Manager: Maya Manor Business Manager: Roy Bedarshi Agent: Menno Plukker Technicians: Oren Elimelech, Yair Salman, Hillel Sharp
Co-producers: Festival Montpellier Danse, La Villette - Paris, Salzburger Festspiele - Austria, Sadler's Wells - London, Julidans - Amsterdam, La Villette - Paris. Austria, Sadler's Wells - London, Julidans - Amsterdam, Spoleto Festival dei Due Mondi - Italy, MART Foundation - New York, Dampfzentrale, Bern, deSingel, Antwerpen. With the support of the French Ministry of Culture - Direction régionale des affaires culturelles d'Île-de-France and the Orsolina 28 Art Foundation, Italy. Parts of the creation were originally realized as part of THIS IS NOT A LOVE SHOW commissioned by LAS (Light Art Space), January 2022 at Kraftwerk Berlin.
Sharon Eyal
Sharon Eyal (b. 1971, Jerusalem) danced with the Batsheva Dance Company between 1990 and 2008, where she was Associate Artistic Director and resident choreographer. In 2005, she teamed up with Gai Behar (b. 1977, Tel Aviv) - who has shaped the Tel Aviv nightlife scene as a party producer and curator of multidisciplinary artistic events - and Behar has been collaborating on Eyal's creations ever since. In 2013, Eyal and Behar launched their acclaimed dance company L-E-V. In 2023, Sharon Eyal was named Chevalier de l'Ordre des Arts et des Lettres de la République française.
Katerina Jebb
Practical information
Address
Vieux-Port - Quai de la Fraternité, Marseille, France
Accessibility
Dates and times
Tuesday, June 18, 7:00 to 7:15 pm
Safety
Visit itinerary
No reservation required, subject to availability
EXPERIENCES On board
Immersive exhibition "Présentes
Created in exceptional collaboration with the Musée du Louvre, this exhibition offers a reflection on the role and representation of female figures in the Mediterranean world, through an educational and sensory experience based on digital audiovisual technologies. The exhibition is divided into two parts:
An educational documentary on the aft deck
An immersive exhibition at the heart of the catamaran
Through a Sound Odyssey, Ircam and Ircam Amplify invite visitors to explore the sensations of the Mediterranean and discover new soundscapes, both imaginary and real.
Yes, the boat is freely accessible on site. However, you can pre-book your time online on our website.
Is there a specific dress code for visiting the museum boat?
For reasons of safety and preservation of the boat, high heels and stilettos may not be worn on the boat.
How do I get on board the museum boat?
The museum boat is open to all free of charge. To find out on which quay it will be moored, or to pre-book your slot, consult the page dedicated to your town.
Is the museum boat accessible to people with reduced mobility?
Appropriate facilities have been set up on the Festival site for the reception and access of people with reduced mobility. The boat is equipped with a 1m-wide ramp, accessible to people with reduced mobility, but may require the accompaniment of a third party due to its gradient of over 6%. Access to the aft deck and immersive exhibition is possible. However, the upper deck is not accessible. Please inform us in advance of any special accessibility requirements, so that we can make the necessary arrangements.