"www (world war water)" is a durational performance and installation. It is a mise-en-situation of the worst of scenarios: with the last remaining cup, how is power negotiated, resources indulged and rationed, alliances formed and broken? Featuring Aïda Jamal and Imane Elkabli, with scenographic direction by Lori Kharpoutlian, this performance was initially conceived of and produced within the frame of the 2024 edition of the Youmein Festival under the theme of Steadfastness/Sumud with support from A.MAL Projects and the American Language Center - Tangier
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All dates
20
Sep
20
Sep
Performance
All audiences
www (Programmed by Youmein Festival)
Port of Tangier - Opposite Bab El Marsa, Tangier, Morocco
4:30pm
-
5:30pm
20/9/24
-
20/9/2024
"www (world war water)" is a durational performance and installation. It is a mise-en-situation of the worst of scenarios: with the last remaining cup, how is power negotiated, resources indulged and rationed, alliances formed and broken? Featuring Aïda Jamal and Imane Elkabli, with scenographic direction by Lori Kharpoutlian, this performance was initially conceived of and produced within the frame of the 2024 edition of the Youmein Festival under the theme of Steadfastness/Sumud with support from A.MAL Projects and the American Language Center - Tangier
The Youmein Festival brings artists together for two days to develop new creations around a common theme and encourages collaboration between artistic disciplines. Founded in 2015 by Zakaria Alilech, A. George Bajalia and Tom Casserly, this annual event offers a series of public lectures, workshops and exhibitions across Tangier. Offering an alternative to Tangier's public cultural scene, the festival/residency concludes with a presentation of new works created over the course of 48 hours.
Aïda Jamal
Aïda Jamal is a Moroccan contemporary dancer, clinical psychologist and philosophy mentor. She sees dance as an ongoing exploration of questions and the search for answers.
Imane Elkabli
Imane Elkabli is a Moroccan contemporary dancer and performer who has made the transition from studying philosophy to the world of dance. Her artistic practice explores emotions and self-discovery through body and movement, often integrating diverse materials to deepen her artistic vision.
Lori Kharpoutlian
Lori Kharpoutlian is a dancer and architect based in Beirut. With an evolving practice, she uses different methods of research and creation in the fields of performance, architecture and visual arts.
Practical information
Address
Port of Tangier - Opposite Bab El Marsa, Tangier, Morocco
Accessibility
Dates and times
Friday, September 20, 16:30 to 17:30
Safety
Visit itinerary
EXPERIENCES On board
Immersive exhibition "Présentes
Created in exceptional collaboration with the Musée du Louvre, this exhibition offers a reflection on the role and representation of female figures in the Mediterranean world, through an educational and sensory experience based on digital audiovisual technologies. The exhibition is divided into two parts:
An educational documentary on the aft deck
An immersive exhibition at the heart of the catamaran
Through a Sound Odyssey, Ircam and Ircam Amplify invite visitors to explore the sensations of the Mediterranean and discover new soundscapes, both imaginary and real.
Yes, the boat is freely accessible on site. However, you can pre-book your time online on our website.
Is there a specific dress code for visiting the museum boat?
For reasons of safety and preservation of the boat, high heels and stilettos may not be worn on the boat.
How do I get on board the museum boat?
The museum boat is open to all free of charge. To find out on which quay it will be moored, or to pre-book your slot, consult the page dedicated to your town.
Is the museum boat accessible to people with reduced mobility?
Appropriate facilities have been set up on the Festival site for the reception and access of people with reduced mobility. The boat is equipped with a 1m-wide ramp, accessible to people with reduced mobility, but may require the accompaniment of a third party due to its gradient of over 6%. Access to the aft deck and immersive exhibition is possible. However, the upper deck is not accessible. Please inform us in advance of any special accessibility requirements, so that we can make the necessary arrangements.