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Act.1_Brisk
As part of the Art Explora festival and in partnership with the Shem'sy national circus school in Salé, the three artists Klara Fontibus, Nassim Azarzar and Aliocha Tazi invite students to take part in the creative process of Act.1_Brise. Students from all disciplines will be able to appropriate the various elements that make up flying (or non-flying) structures, in order to create a choreographic and narrative game. The research carried out during this workshop will be the subject of two open-air public performances.
All dates
Act.1_Brisk
As part of the Art Explora festival and in partnership with the Shems'y national circus school in Rabat, the three artists Klara Fontibus, Nassim Azarzar and Aliocha Tazi invite students to take part in the creative process of Act.1_Brise. Students from all disciplines will be able to appropriate the various elements used to compose kites, in order to propose a choreographic and narrative game. The research carried out during the workshop will be the subject of two open-air public performances.
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Act.1_Brisk
As part of the Art Explora festival and in partnership with the Shems'y national circus school in Salé, the three artists Klara Fontibus, Nassim Azarzar and Aliocha Tazi invite students to take part in the creative process of Act.1_Brise. Students from all disciplines will be able to appropriate the various elements that make up flying (or non-flying) structures, in order to create a choreographic and narrative game. The research carried out during this workshop will be the subject of two open-air public performances.
Act.1_Brise is an ephemeral, evolving attraction, inspired by informal urban practices such as street vendors, musicians, storytellers, magicians and small car rental companies. Itinerant and aerial, Act.1_Brise invites individual or collective reflection based on a repertoire of forms that can be assembled into flying structures. The environment is transformed into a playground for observation. Between floating habitats and aerial sculptures, these elements draw the contours of an ephemeral territory. This experience aims to transcend the limits of the everyday, offering a playful, immersive space where the boundaries between observation and action become blurred. An aerial and terrestrial ballet, creating moments of exchange and interaction to poetically reflect on ways of "catching the wind". The installation will be produced in collaboration with the Shems'y circus school, and will take place outdoors on the outskirts of the big top.
Delphine Warin
Ahead of this event, the group is offering a 5-day workshop with circus and scenography students in the week before the festival, to share modules and techniques for making kites.
Klara Fontibus (1996, FR-BE) creates an unfolding corpus of narratives, derived from a practice of screen-printing and lived spaces. In her work, we observe the displacement of motifs - the organic form, the grid, the trace - on a set of objects conceived and designed by her to control the uses of everyday life, revealing their uncertainties. Everyday objects thus become the territory of all possibilities. Klara invites us to move in, to desire them with her, (in) these spaces. Today, her practice extends more rigorously around the art of the table, creating shared moments around a gesture, where the visitor is invited to become a host.
Nassim Azarzar (1989, FR-MA) draws his pictorial language from typically Moroccan images, transposing their forms and questioning their meanings through various contexts. This research has led to the creation of his own visual language, reflecting the complexity of defining his identity as a person born in France of Moroccan parents. Nassim's aesthetic exploration encompasses decorative arts, painting, drawing, sculpture, graphic design and experimental cinema.
Aliocha Tazi (1995, FR-BE-MA) proposes ensembles of interactive forms, derived from both individual and collective practices. They are composed of aggregates of reused materials and misappropriated objects. Constantly moving back and forth between the studio, the public space and the exhibition space, Alyosha generates cycles of mutation in which the status of objects oscillates between work and artifact. At times, he reports on lived experiences, while at other times he creates moments of encounter where his objects are activated and become spaces of welcome.
Practical information
Address
Shems'y National Circus School, Kasbah des Gnaouas, Salé, Morocco
Accessibility
There are several transport options to get to the Shems'y tent. BY BUS: 2 options from the museum boat to Shems'y: Go 2:30pm - Return 4:30pm / Go 4:30pm - Return 6:30pm / BY TAXI: at Bab Chellah towards Salé (at the Sidi Moussa traffic circle)
Dates and times
Saturday, October 12, 1st performance at 15:00, 2nd performance at 18:00
Safety
Visit itinerary
EXPERIENCES On board
Immersive exhibition "Présentes
Created with the exceptional collaboration of the Musée du Louvre, this exhibition highlights female figures in Mediterranean civilization, thanks to the digitization and modeling of part of the Louvre's collections. A two-stage experience: an introductory film to provide context, followed by an immersive experience in a 16-meter-long tunnel covered by 120 m2 of LED screens.
A sound journey through the Mediterranean
An immersive sound experience designed by Ircam, inviting the public to explore the richness and diversity of the Mediterranean through headphones equipped with spatialized sound.
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© Elisa Von Brockdorff
The artists
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Frequently asked questions
Yes, the boat is freely accessible on site. However, you can pre-book your time online on our website.
For reasons of safety and preservation of the boat, high heels and stilettos may not be worn on the boat.
The museum boat is open to all free of charge. To find out on which quay it will be moored, or to pre-book your slot, consult the page dedicated to your town.
Appropriate facilities have been set up on the Festival site for the reception and access of people with reduced mobility. The boat is equipped with a 1m-wide ramp, accessible to people with reduced mobility, but may require the accompaniment of a third party due to its gradient of over 6%. Access to the aft deck and immersive exhibition is possible. However, the upper deck is not accessible. Please inform us in advance of any special accessibility requirements, so that we can make the necessary arrangements.